Creative Director: Brandon Kavulla
Photography Director: Mia J. Diehl
Information Graphics Director: Nicolas Rapp
Tablet Art Director: Chad McCabe
Deputy Art Director: Michael Solita
Designer: Rose DeMaria
Deputy Photo Editor: Alix Colow
Associate Photo Editor: Armin Harris
Photo Assistant: Michele Taylor
Contributing Designers: Robert Dominguez, Josue Evilla, Sarah Olin
Contributing Photo Editor: Michelle Wolfe
Best part of a Twinkie cover? Lots and lots and lots of leftovers. Here are many of the unused cover concepts, as well as a few snapshots of the Twinkie photo shoot. The final published cover is here. Many thanks to contributors James Wojcik, Sam Kaplan, Justin Metz, Sean McCabe, Bigshot Toyworks, Gail Anderson and Joe Newton. Design Director: Emily Kehe, Photography Director: Mia Diehl, Assistant photo editor: Kate Osba, Freelance assistant photo editor: Burleigh Morton Best part of a Twinkie cover? Lots and lots and lots of leftovers. Here are many of the unused cover concepts, as well as a few snapshots of the Twinkie photo shoot. The final published cover is here. Many thanks to contributors James Wojcik, Sam Kaplan, Justin Metz, Sean McCabe, Bigshot Toyworks, Gail Anderson and Joe Newton. Design Director: Emily Kehe, Photography Director: Mia Diehl, Assistant photo editor: Kate Osba, Freelance assistant photo editor: Burleigh Morton Best part of a Twinkie cover? Lots and lots and lots of leftovers. Here are many of the unused cover concepts, as well as a few snapshots of the Twinkie photo shoot. The final published cover is here. Many thanks to contributors James Wojcik, Sam Kaplan, Justin Metz, Sean McCabe, Bigshot Toyworks, Gail Anderson and Joe Newton. Design Director: Emily Kehe, Photography Director: Mia Diehl, Assistant photo editor: Kate Osba, Freelance assistant photo editor: Burleigh Morton Best part of a Twinkie cover? Lots and lots and lots of leftovers. Here are many of the unused cover concepts, as well as a few snapshots of the Twinkie photo shoot. The final published cover is here. Many thanks to contributors James Wojcik, Sam Kaplan, Justin Metz, Sean McCabe, Bigshot Toyworks, Gail Anderson and Joe Newton. Design Director: Emily Kehe, Photography Director: Mia Diehl, Assistant photo editor: Kate Osba, Freelance assistant photo editor: Burleigh Morton Best part of a Twinkie cover? Lots and lots and lots of leftovers. Here are many of the unused cover concepts, as well as a few snapshots of the Twinkie photo shoot. The final published cover is here. Many thanks to contributors James Wojcik, Sam Kaplan, Justin Metz, Sean McCabe, Bigshot Toyworks, Gail Anderson and Joe Newton. Design Director: Emily Kehe, Photography Director: Mia Diehl, Assistant photo editor: Kate Osba, Freelance assistant photo editor: Burleigh Morton Best part of a Twinkie cover? Lots and lots and lots of leftovers. Here are many of the unused cover concepts, as well as a few snapshots of the Twinkie photo shoot. The final published cover is here. Many thanks to contributors James Wojcik, Sam Kaplan, Justin Metz, Sean McCabe, Bigshot Toyworks, Gail Anderson and Joe Newton. Design Director: Emily Kehe, Photography Director: Mia Diehl, Assistant photo editor: Kate Osba, Freelance assistant photo editor: Burleigh Morton

    Best part of a Twinkie cover? Lots and lots and lots of leftovers. Here are many of the unused cover concepts, as well as a few snapshots of the Twinkie photo shoot. The final published cover is here.

    Many thanks to contributors James Wojcik, Sam Kaplan, Justin Metz, Sean McCabe, Bigshot Toyworks, Gail Anderson and Joe Newton.

    Design Director: Emily Kehe, Photography Director: Mia Diehl, Assistant photo editor: Kate Osba, Freelance assistant photo editor: Burleigh Morton

    The CG wizards at Bigshot Toyworks created this reimagining of Twinkie the Kid for Fortune’s latest cover story, “Hostess is Bankrupt … Again.” From the artists: “We had a great time working on this project. This assignment gave us a chance to play around with an iconic brand mascot, while illustrating the current environment in the food industry. Since ‘Twinkie the Kid’ is such an iconic character in American advertising, we wanted to be respectful of his history and not make him appear injured or overly abused. After a few rounds of designs, I feel we managed to really capture the point of this article.” The CG wizards at Bigshot Toyworks created this reimagining of Twinkie the Kid for Fortune’s latest cover story, “Hostess is Bankrupt … Again.” From the artists: “We had a great time working on this project. This assignment gave us a chance to play around with an iconic brand mascot, while illustrating the current environment in the food industry. Since ‘Twinkie the Kid’ is such an iconic character in American advertising, we wanted to be respectful of his history and not make him appear injured or overly abused. After a few rounds of designs, I feel we managed to really capture the point of this article.” The CG wizards at Bigshot Toyworks created this reimagining of Twinkie the Kid for Fortune’s latest cover story, “Hostess is Bankrupt … Again.” From the artists: “We had a great time working on this project. This assignment gave us a chance to play around with an iconic brand mascot, while illustrating the current environment in the food industry. Since ‘Twinkie the Kid’ is such an iconic character in American advertising, we wanted to be respectful of his history and not make him appear injured or overly abused. After a few rounds of designs, I feel we managed to really capture the point of this article.”

      The CG wizards at Bigshot Toyworks created this reimagining of Twinkie the Kid for Fortune’s latest cover story, “Hostess is Bankrupt … Again.” From the artists:

      “We had a great time working on this project. This assignment gave us a chance to play around with an iconic brand mascot, while illustrating the current environment in the food industry. Since ‘Twinkie the Kid’ is such an iconic character in American advertising, we wanted to be respectful of his history and not make him appear injured or overly abused. After a few rounds of designs, I feel we managed to really capture the point of this article.”